Kate E. Hinshaw Cinematography Reel (2022)
Ten Leaves Dilated (2020)
Director, DP, Editor: Kate E. Hinshaw
Runtime: 14:12
Format: 16mm
Ten Leaves Dilated is a documentary that uses the make-believe world crafted by Cabbage Patch Kids to examine discourses surrounding childbirth and motherhood in the South.
Analog Cookbook (2019-Present)
Founder and Editor: Kate E. Hinshaw
Analog Cookbook is a film publication dedicated to promoting accessibility in celluloid filmmaking. Emerging from DIY roots and committed to sharing darkroom recipes and featuring artists working with analog media, Analog Cookbook provides resources to filmmakers and artists to make works using analog film, photography, and sound. Distributed through UNC Press
Teflon Body Rot (Work in Progress)
Director, DP, Editor: Kate E. Hinshaw
Teflon Body Rot explores the human cost of an industry that poisoned the water in coastal Carolina and the industry that benefits from this crisis through pedaling false cures.
Red Earth (2022)
Director: Georg Koszulinski
Director of Photography: Kate E. Hinshaw
By the year 2492, the 1st phase of the Martian terraforming campaign has made Mars amenable to life. Meanwhile, Earth has become increasingly less hospitable, and a Martian rebellion forms around the premise that the destructive human forces on Earth must be stopped.
Teardown (2018)
Director, DP, Editor: Kate E. Hinshaw
Runtime: 5:00
Format: 16mm, Super 8mm film, Digital
Based on a series of dreams, Teardown combines personal memoir and fantasy through hand-painted 16mm and super 8mm film. With a rapidly changing hometown as its background, the film depicts a mother-daughter relationship as both navigate life transitions and the destruction of a home.
Eighty Twenty (2022)
Director: Andi Avery
Director of Photography: Kate E Hinshaw
Runtime: 10:51
Format: Digital
When Chelsea, a whip smart lady of the night, sneaks away for a relaxing solo weekend in her client Kendall’s cabin, she gets quite a surprise when Kendall’s wife Marie shows up with a bag of ashes to scatter at the family cabin. Plot twist: the ashes are Kendall’s.
Kudzu (2019)
Director, DP, Editor: Kate E. Hinshaw
Runtime: 6:07
Format: 16mm
A young woman returns to her Georgia home for the last time and is confronted by a particularly invasive strand of Kudzu that forces her to reckon with her past. Using hand-painted 16mm film and VHS video, Kudzu tells the story of overgrown towns and the forces that push residents out.
Dolphy (2019)
Director: Laura Conway
Director of Photography: Kate E. Hinshaw
Runtime: 15:10
Format: Digital Video
Dolphy is a lonely botanist who cross-pollinates exotic fauna in a research greenhouse. Her isolation is only heightened by her desire for her boss, Mrs. Daylily. Intoxicated by the pollen and her own loneliness, Dolphy begins to lose touch with reality as she succumbs to a more verdant frequency.
Director, DP, Editor: Kate E. Hinshaw
Runtime: 2:45
Format: 16mm film
Using hand-painted and laser etched 16mm film, Maiden/Kore draws on bastardized text of Ovid's Metamorphoses to explore the Persephonic descent that turns girls into women and the hellish places that call them back.